DVAA Member since 2008
Linda Dubin Garfield
Linda Dubin Garfield, an award-winning printmaker and mixed media artist, creates visual memoirs exploring the mystery of memory and the magic of place, using hand-pulled printmaking techniques, photography, collage and digital imaging. She also creates installations that include public participatory art, especially when she is exploring themes relating to women in today’s culture. She also presents mixed media memoir workshops to various organizations allowing the participants to express themselves thorough art supplies and words.
In 2005 she founded ARTsisters, a group of professional artists who empower each other and their community through art. In 2007 she started smART business consulting, helping emerging artists reach their goals and their audience, providing consulting and coaching on the business side of art through individual, small groups, and workshop experiences as well as providing opportunities to exhibit work. Today she serves on several non-profit boards and appreciates her good fortune to be able to make art every chance she gets.
“In the early 90’s, I took a printmaking course and fell in love with the process. Unlike other passionate relationships that fade with time, the passion and love I had for printmaking has only gotten more intense. Several years ago, I started exploring mixed media and have found that combining collage and monotype is a relationship that sings. I also enjoy combining photography and digital imaging with traditional printmaking techniques. The possibilities are exponential.
I make monotypes because the technique rewards experimentation. I work with layers and varied surfaces and materials which add to the visual richness.
Nature nurtures and inspires me. I combine elements of nature, texture and design along with the magic of the press. I am intrigued by memory and what remains in our mind’s eye. My work reflects scenes from travel near and far. More than a report on how it was exactly, I am interested in my expressive and passionate response to the color and pattern of the landscape, experience or image. The fluid space of memory, influenced by time, place and experience, forms the foundation of content for my work. I merge aspects of experience and observations with imagined and remembered sensations to create non-objective work that reflects life and memory. My work has overlapping layers of color and space, shifting relationships with mark making that includes monotype, silkscreen, stencil, image transfer as well as drawing. Inspired by travel, I am creating visual memoirs which offer multiple meanings to the viewer.
My focus on the process, not the outcome, frees me to be experimental. Following my passion and living my dream energizes me to be productive and alive. I feel like I am now living out loud. I want to share that passion and joie de vivre with those seeing my work, triggering a memory or experience for the viewer.”